in this episode, David talks to Anna Ricke about her research on sound and music in Gothic Plays and Melodrama and to Julia H. Schröder on historical handbooks on magic performances and what they reveal about the significance of sound effects on/off stage.
In this episode David talks to two artist/scholars, who create and research sound-led forms of performance: Julie Rose Bower and Yaron Shyldkrot. The conversation addresses their creative work, aspects of theatre in the dark, Foley work, sound as touch, ASMR, and the ethics of sound design.
In this episode, Millie Taylor and David Roesner talk to Konstantinos Thomaidis about his research and creative practice in connection with Mikhail Marmarinos' production of Sophocles' ICHNEUTAI (Trackers) in 2021.
in this episode, we will focus on the connection of memory and sound, with a particular focus also on what role voice plays in the construction of a shared past We will touch on questions of identity, community, and performance in relation to things past and potentially lost.
In this episode, Bella Merlin and David Roesner reflect on their transatlantic collaborations on the one-woman show "Tilly No-Body: Catastrophes of Love" (Davis (CA), 2010), "Singing the Document" (Munich 2016) and "20:20 Vision" (LA/Online, 2020/2021). In all three the sought to mix music, sound, and storytelling with techniques from verbatim theatre. In all three they produced both creative and research outcomes, seeking to develop new forms of disseminating their results and findings.
This conversation was recorded at the Schall und Rausch Festival for brand-new music theatre, Komische Oper Berlin.
It took place at the festival venue, Schwuz Neukölln, Berlin on 25 Feb 2023
With Bronwyn Lace, Nhlanhla Mahlangu and Mirjam Schaub, hosted by Julia Jordà Stoppelhaar
This conversation was recorded at the Schall und Rausch Festival for brand-new music theatre, Komische Oper Berlin. It took place at the festival venue, Schwuz Neukölln, Berlin on 19 Feb 2023
A conversation with Maaike Bleeker, Vânia Gala, Seda Ilter, Silvija Jestrovic, Lynne Kendrick, Flora Pitrolo and the author: Duška Radosavljević
During the global pandemic theatre-making and research practices drew particular attention to aurality. From the relocation of ‘live’ performance into ‘audio’ art, to the conscious ‘tuning in’ to the sound of online theatre – audiences and researchers alike re-engaged with the possibilities of sound and listening in theatre production. The concomitant reconfiguring of listening as a part of the methodology of making and research was, in turn, also inspired by new sound-led theatre practices that emerged in response to the contemporary moment. Focusing on UK examples of works that responded to the sonic possibilities of theatre during the pandemic, i.e....
In today's episode, you will hear my conversation with Prof. Millie Taylor from the University of Amsterdam about her groundbreaking book from 2018 "Theatre Music and Sound at the RSC. Macbeth to Matilda." Enjoy this episode!