In this episode, the two authors of a groundbreaking book from our field, "Sound and Music for the Theatre", Deena Kaye and Jim LeBrecht, discuss its trajectory across five editions in the light of the many changes within the industry, and how being a sound designer and a theatre composer has developed.
In this episode, Konstantinos Thomaidis (co-director, choral music composer) talks about the themes, development processes and aesthics of his collaboration with Alexander Raptotasios (co-director) and Jeph Vanger (sound designer and electronic music composer) of the film "Mother Company" which explores the complex layers of extractivist greed, rural economies, environmental disaster and a community’s pride and suffering through the presence of a children's choir in a derelict power plant in Northern Greece.
In this episode theatre musicians Constantin John, Fabian Kalker, Karolin Killig, Nils Ostendorf, Katrin Schüler-Springorum, Rainer Süßmilch and Fiete Wachholtz discuss the working conditions of theatre musicians in German-speaking theatre, the formation of a network and the genesis of an open letter to theatre officials and critics they have just launched.
Today’s episode is part II of a launch conversation about the new edited volume Music and Sound in European Theatre. Practices, Performances, Perspectives (Tamara Quick and David Roesner, eds.). Routledge 2025
Today’s episode is part I of a launch conversation about the new edited volume Music and Sound in European Theatre. Practices, Performances, Perspectives (Tamara Quick and David Roesner, eds.). Routledge 2025
This episode is an interview with Matze Pröllochs, drummer and composer, about his new solo album „Birth No Birth“ as well as his theatre collaborations with director Christopher Rüping, such as the spectacular project "Dionysos Stadt", which premiere in Munich in 2018.
In this episode, Lynne Kendrick and David Roesner engage in conversation with Leonie Persyn about her PhD Project THE SOUND OF A SHARED INTIMACY. A PHENOMENOLOGICAL RESEARCH INTO SOUND(ING) AND LISTENING IN PERFORMANCE PRACTICES
In this episode, Salomé Voegelin presents her thoughts in relation to Arturas Bumšteinas' "Bad Weather" (2017/2019) – "a performative sound-art event of a group of performers engaging with reconstructions of Baroque theater noise machines" (Bumšteinas)
In this episode, Ursula Kramer, Dorothea Volz, Peter Kiefer and Andrea Valle present and discuss: "From Archive to Museum? Sound in historical theatre productions and in theatre museums collections". The panel is hosted by Anna Ricke.
in this episode, Julia H. Schröder introduces the session and proceedings start with Anna Burzyńska's presentation on "Sound and sound machines in Kantor’s theatre and possibility of exhibition"
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