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Today’s episode is part II of a launch conversation about the new edited volume Music and Sound in European Theatre. Practices, Performances, Perspectives (Tamara Quick and David Roesner, eds.). Routledge 2025

Today’s episode is part I of a launch conversation about the new edited volume Music and Sound in European Theatre. Practices, Performances, Perspectives (Tamara Quick and David Roesner, eds.). Routledge 2025

This episode is an interview with Matze Pröllochs, drummer and composer, about his new solo album „Birth No Birth“ as well as his theatre collaborations with director Christopher Rüping, such as the spectacular project "Dionysos Stadt", which premiere in Munich in 2018.

In this episode, Lynne Kendrick and David Roesner engage in conversation with Leonie Persyn about her PhD Project THE SOUND OF A SHARED INTIMACY. A PHENOMENOLOGICAL RESEARCH INTO SOUND(ING) AND LISTENING IN PERFORMANCE PRACTICES

In this episode, Salomé Voegelin presents her thoughts in relation to Arturas Bumšteinas' "Bad Weather" (2017/2019) – "a performative sound-art event of a group of performers engaging with reconstructions of Baroque theater noise machines" (Bumšteinas)

In this episode, Ursula Kramer, Dorothea Volz, Peter Kiefer and Andrea Valle present and discuss: "From Archive to Museum? Sound in historical theatre productions and in theatre museums collections". The panel is hosted by Anna Ricke.

in this episode, Julia H. Schröder introduces the session and proceedings start with Anna Burzyńska's presentation on "Sound and sound machines in Kantor’s theatre and possibility of exhibition"

In this episode, Adrian, Duška and David talk to performance collaborators Persis Jadé Maravala and Jorge Lopes Ramos from ZU-UK (London) and sound-designer Gareth Fry (London) about the notion of collaboration and the specific process of design and creative development they engage with.

In this episode we discuss the audio papers that were presented over the last few episodes on the role of collaboration in sound design and music composition for theatre by our esteems contributors: Alyson Campbell (Melbourne) and Meta Cohen (Melbourne), Paul Clark (London), Victoria Deiorio (Chicago), Jimmy Eadie (Dublin), Maciej Guzy (Krakow), Melanie Wilson (London), Demetris Zavros (Liverpool).

In this episode, David introduces the final two audio papers, which were submitted to the conference and subsequently discussed at a panel on collaboration in sound design and music composition for theatre curated by Adrian Curtin, Duška Radosavjlević and David Roesner (which will be published in a future episode).