In this episode, David introduces three more of the seven audio papers that were submitted to the conference and subsequently discussed at a panel on Collaboration in sound design and music composition for theatre curated by Adrian Curtin, Duška Radosavjlević and David Roesner (which will be published in a future episode).
In this episode, David introduces two of the seven audio papers, which were submitted to the conference and subsequently discussed at a panel on Collaboration in sound design and music composition for theatre curated by Adrian Curtin, Duška Radosavjlević and David Roesner (which will be published in a future episode).
The recent wave of interdisciplinary scholarship on/through voice has moved decisively away from perceptions of voice as singular, solipsistic or as tied to selfhood in one-directional or indexical ways. Voice (or rather: voicing or vocality) is now understood and practised as multiple, plural, and emergent. This curated panel seeks to embrace this approach and, in light of the symposium’s thematic remit, addresses vocal practice as a material or component of theatrical collaboration. Also, and crucially, it proposes a rethinking of theatre voice as collaboration. This part of the session consists of invited talks and demonstrations by artists that work with/through...
Over the next weeks, proceedings of the conference "Theatre Sound (as) Collaboration" (13-15 Sept, Munich) will be published as podcast episodes. This week, you can hear part 3 of the opening session of the conference with a talk from Dan Scott.
Over the next weeks, proceedings of the conference "Theatre Sound (as) Collaboration" (13-15 Sept, Munich) will be published as podcast episodes. This week, you can hear part 2 of the opening session of the conference with a talk from Rebecca Applin.
Over the next weeks, proceedings of the conference "Theatre Sound (as) Collaboration" (13-15 Sept, Munich) will be published as podcast episodes. This week, you can hear part 1 of the opening session of the conference with a talk from SK Shlomo.
In this episode I talk to the composer David Rimsky-Korsakow about his path to becoming a theatre musician and a three-day workshop he gave in Munich as part of the "Theatre Sound" project, which was hosted by the Center for Advanced Studies (LMU Munich), The workshop was realized in collaboration with the theatre department at LMU Munch and the Theaterakademie August Everding, to whom I owe huge thanks!
in this episode, David talks to Anna Ricke about her research on sound and music in Gothic Plays and Melodrama and to Julia H. Schröder on historical handbooks on magic performances and what they reveal about the significance of sound effects on/off stage.
In this episode David talks to two artist/scholars, who create and research sound-led forms of performance: Julie Rose Bower and Yaron Shyldkrot. The conversation addresses their creative work, aspects of theatre in the dark, Foley work, sound as touch, ASMR, and the ethics of sound design.
In this episode, Millie Taylor and David Roesner talk to Konstantinos Thomaidis about his research and creative practice in connection with Mikhail Marmarinos' production of Sophocles' ICHNEUTAI (Trackers) in 2021.
