In this episode, Adrian, Duška and David talk to performance collaborators Persis Jadé Maravala and Jorge Lopes Ramos from ZU-UK (London) and sound-designer Gareth Fry (London) about the notion of collaboration and the specific process of design and creative development they engage with.
In this episode we discuss the audio papers that were presented over the last few episodes on the role of collaboration in sound design and music composition for theatre by our esteems contributors: Alyson Campbell (Melbourne) and Meta Cohen (Melbourne), Paul Clark (London), Victoria Deiorio (Chicago), Jimmy Eadie (Dublin), Maciej Guzy (Krakow), Melanie Wilson (London), Demetris Zavros (Liverpool).
In this episode, David introduces the final two audio papers, which were submitted to the conference and subsequently discussed at a panel on collaboration in sound design and music composition for theatre curated by Adrian Curtin, Duška Radosavjlević and David Roesner (which will be published in a future episode).
In this episode, David introduces three more of the seven audio papers that were submitted to the conference and subsequently discussed at a panel on Collaboration in sound design and music composition for theatre curated by Adrian Curtin, Duška Radosavjlević and David Roesner (which will be published in a future episode).
In this episode, David introduces two of the seven audio papers, which were submitted to the conference and subsequently discussed at a panel on Collaboration in sound design and music composition for theatre curated by Adrian Curtin, Duška Radosavjlević and David Roesner (which will be published in a future episode).
The recent wave of interdisciplinary scholarship on/through voice has moved decisively away from perceptions of voice as singular, solipsistic or as tied to selfhood in one-directional or indexical ways. Voice (or rather: voicing or vocality) is now understood and practised as multiple, plural, and emergent. This curated panel seeks to embrace this approach and, in light of the symposium’s thematic remit, addresses vocal practice as a material or component of theatrical collaboration. Also, and crucially, it proposes a rethinking of theatre voice as collaboration. This part of the session consists of invited talks and demonstrations by artists that work with/through...
Over the next weeks, proceedings of the conference "Theatre Sound (as) Collaboration" (13-15 Sept, Munich) will be published as podcast episodes. This week, you can hear part 3 of the opening session of the conference with a talk from Dan Scott.
Over the next weeks, proceedings of the conference "Theatre Sound (as) Collaboration" (13-15 Sept, Munich) will be published as podcast episodes. This week, you can hear part 2 of the opening session of the conference with a talk from Rebecca Applin.
Over the next weeks, proceedings of the conference "Theatre Sound (as) Collaboration" (13-15 Sept, Munich) will be published as podcast episodes. This week, you can hear part 1 of the opening session of the conference with a talk from SK Shlomo.
In this episode I talk to the composer David Rimsky-Korsakow about his path to becoming a theatre musician and a three-day workshop he gave in Munich as part of the "Theatre Sound" project, which was hosted by the Center for Advanced Studies (LMU Munich), The workshop was realized in collaboration with the theatre department at LMU Munch and the Theaterakademie August Everding, to whom I owe huge thanks!