Sonic memories

Show notes

Show notes About the research project: https://www.en.cas.uni-muenchen.de/research_groups/current_rg/rg_roesner/index.html Blog: https://theatermus.hypotheses.org

Articles: Adrian Curtin: “Recomposing Genet: Analysing the Musicality of playing ‘the maids’“ (2017): https://www.tandfonline.com/doi/full/10.1080/10486801.2017.1298097 Pieter Verstraete: ”Radical Vocality, Auditory Distress and Disembodied Voice: The Resolution of the Voice-Body in the Wooster Group’s La Didone“ (2011) https://books.google.de/books?id=MDwsBwAAQBAJ&pg=PA82&hl=de&source=gbs_toc_r&cad=4#v=onepage&q&f=false David Roesner: “Dancing in the Twilight – On the Borders of Music and the Scenic“ (2013) https://epub.ub.uni-muenchen.de/21944/

Mentioned: Franziska Baumann: http://www.franziskabaumann.ch/de/ Michel Serres: https://en.wikipedia.org/wiki/Michel_Serres Stephen Connor: http://stevenconnor.com La Didone: https://thewoostergroup.org/la-didone Chris Balme on Intermediality: https://epub.ub.uni-muenchen.de/13098/1/Balme_13098.pdf Victor Turner on Liminality: https://en.wikipedia.org/wiki/Liminality Dancer in the Dark (Lars von Trier): https://en.wikipedia.org/wiki/Dancer_in_the_Dark Eraritjaritjaka (Heiner Goebbels): https://www.heinergoebbels.com/en/archive/works/complete/view/11/info Max Richter: The New Four Seasons: https://www.maxrichter-fourseasons.com/de/ R. Murray Schafer: Schizophonia: https://en.wikipedia.org/wiki/Schizophonia Vincent Meelberg: https://www.researchgate.net/publication/228813142_Sonic_Strokes_and_Musical_Gestures-The_Difference_between_Musical_Affect_and_Musical_Emotion Dylan Robinson: Hungry Listening: https://www.upress.umn.edu/book-division/books/hungry-listening Ensemble Modern: https://www.ensemble-modern.com

Guests: Prof Dr Adrian Curtin is Associate Professor at University of Exeter. His research is wide ranging from modernism to contemporary orchestral theatre. In 2014 he published Avant-Garde Theatre Sound: Staging Sonic Modernity. He also works as a theatre musician. https://drama.exeter.ac.uk/staff/curtin/

Dr Pieter Verstraete is Assistant Professor at University of Groningen and Marie Skłodowska-Curie fellow at Free University Berlin. He published his first book on “Auditory Distress and Aurality in Contemporary Music Theatre (2009), later co-edited a collection on “Cathy Berberian: Pioneer of Contemporary Vocality” (Routledge, 2014). Having worked extensively in Turkey, he also focuses on post-migrant theatre, artists in exile, and has a book forthcoming on “Theatre, Performance and Commemoration: Staging Crisis, Memory and Nationhood” https://pieterverstraete.com