Book launch: Aural/Oral Dramaturgies: Theatre in the Digital Age
Show notes
References (for the discussion of each book chapter of Radosavljević, Duška (2022) Aural/Oral Dramaturgies: Theatre in the Digital Age, London and New York: Routledge, https://www.routledge.com/AuralOral-Dramaturgies-Theatre-in-the-Digital-Age/Radosavljevic/p/book/9780367560744
Chapter 1 Bleeker, Maaike, Verhoeff, Nana, and Werning, Stefan (2020). ‘Sensing data: Encountering data sonifications, materialization, and interactives as knowledge objects’, Convergence: The International Journal of Research into New Media Technologies, 26:5–6, 1–20 (online-generated pdf). doi: https://doi.org/10.1177/1354856520938601
Chapter 2 Moten, Fred (2017) Black or Blur: Consent Not to Be a Single Being, Durham: Duke University Press, https://www.dukeupress.edu/black-and-blur
Lehmann, Hans-Thies (1999/2006) Postdramatic Theatre, translated and introduced by Karen Jürs-Munby, London and New York: Routledge, https://monoskop.org/images/2/2d/Lehmann_Hans-Thies_Postdramatic_Theatre.pdf
Green, Nic (2015) Cock and Bull https://www.auralia.space/laboratory2-nicgreen/
Roesner, David (2014) Musicality in Theatre: Music as Model, Method and Metaphor in Theatre-Making, Farnham/Burlington: Ashgate, https://www.routledge.com/Musicality-in-Theatre-Music-as-Model-Method-and-Metaphor-in-Theatre-Making/Roesner/p/book/9781138248380
Roesner, David, and Merlin, Bella (2018). ‘The document as music. Exploring the musicality of verbatim material in performance’, Journal for Artistic Research, 15. https://www.researchcatalogue.net/view/353508/353509/0/0
Merlin, Bella (2007) ‘The Permanent Way and the impermanent muse’, Contemporary Theatre Review 17(1): 41–9. doi: https://doi.org/10.1080/10486800601096030
Denzin, Norman K. (2003). Performance Ethnography: Critical Pedagogy and the Politics of Culture, Thousand Oaks, London, New Delhi: Sage Publications, https://us.sagepub.com/en-us/nam/performance-ethnography/book226197
Smith, Anna Deveare (2018) Notes from The Field, https://www.annadeaveresmith.org/
Iyer, Vijay (2004). ‘Exploding the narrative in jazz improvisation’. https://jazzstudiesonline. org/files/jso/resources/pdf/IYER–Exploding%20the%20Narrative.pdf
Chapter 3 Jestrovic, Silvija (2020) Performances of Authorial Presence and Absence: The Author Dies Hard, Cham: Palgrave Macmillan, https://link.springer.com/book/10.1007/978-3-030-43290-4
Wodiczko, Krzysztof https://www.krzysztofwodiczko.com/about
Iñárritu, Alejandro G. ‘Mexico’ in 9/11 (2002) https://www.imdb.com/title/tt0328802/
Rambo Amadeus ’Smrt popa Mila Jovovica’ https://www.youtube.com/watch?v=s6X3aD3ki3s
Karadžić, Vuk Stefanović https://en.wikipedia.org/wiki/Vuk_Karad%C5%BEi%C4%87
Karadžić, Radovan https://www.theguardian.com/world/2008/jul/23/radovankaradzic.warcrimes5
Parry, Milman https://www.britannica.com/biography/Milman-Parry
Curtis Hanson (2002) 8 Mile https://www.imdb.com/title/tt0298203/
Chapter 4 Kendrick, Lynne (2017) Theatre Aurality, London: Palgrave Macmillan, https://link.springer.com/book/10.1057/978-1-137-45233-7
Barnes Luke/ Middle Child (2017) All We Ever Wanted Was Everything https://www.middlechildtheatre.co.uk/all-we-ever-wanted-was-everything/
Radosavljević, Duška (2013) Theatre-Making: Interplay Between Text and Performance in the 21st Century, Basingstoke: Palgrave, https://link.springer.com/book/10.1057/9781137367884
Chapter 5 Crouch, Tim (2009) The Author, http://www.timcrouchtheatre.co.uk/shows-2/the-author
Ilter, Seda (2021). Mediatized Dramaturgy: The Evolution of Plays in the Media Age, London: Bloomsbury Methuen, https://www.bloomsbury.com/uk/mediatized-dramaturgy-9781350031166/
Nancy, Jean-Luc (2007). On Listening, translated by Charlotte Mandell, New York: Fordham University Press, https://manchesterarthistory.files.wordpress.com/2011/09/listening-by-jean-luc-nancy.pdf
Foley, John Miles (2012). Oral Tradition and the Internet: Pathways of the Mind, Urbana, Chicago, and Springfield: University of Illinois Press, https://www.press.uillinois.edu/books/?id=p078699
Latour, Bruno (2005). Reassembling the Social: An Introduction to Actor-Network-Theory, Oxford: Oxford University Press, https://global.oup.com/academic/product/reassembling-the-social-9780199256051?cc=se&lang=en&
Broadhurst, Susan (1999). Liminal Acts: A Critical Overview of Contemporary Performance and Theory, London and New York: Cassell, https://www.bloomsbury.com/us/liminal-acts-9781441144713/
Filippo Michaelangelo Ceredi https://www.auralia.space/gallery5-filippomichelangeloceredi/
Oliver Zahn https://www.auralia.space/gallery5-oliverzahn/
Ong, Walter (1982/2002). Orality and Literacy: The Technologizing of the World, London and New York: Routledge, https://monoskop.org/images/d/db/Ong_Walter_J_Orality_and_Literacy_2nd_ed.pdf
Chapter 6 Pitrolo, Flora, Zubak, Marko (2021) Global Dance Cultures in the 1970s and 1980s. Disco Heterotopias, https://link.springer.com/book/10.1007/978-3-030-91995-5
https://www.auralia.space/decolonising-the-voice-podcast/
Flora’s Guides: https://www.auralia.space/lend-me-your-ears/
Hawkesworth, Celia (2000). Voices in the Shadows: Women and Verbal Art in Serbia and Bosnia, Budapest, London: Central European University Press, https://www.degruyter.com/document/doi/10.1515/9789633864685/html?lang=en
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